The action-packed story where the moral codes map to the Four Horsemen of the Apocalypse (war-famine-pestillence-death).
The cyberpunk story where major Artificial Intelligences map to the Eight Levels of conciousness (Leary).
The fantasy story where major magical artifacts map to the twenty-two paths of the Kabbalah.
The heist story where each stage of the caper maps to the two tablets of the Ten Commandments.
The light-hearted story about bowmen where the characters map to the seven wonders of the ancient world.
The philosophical pirate story where the locations map to angels.
The psychological science-fiction story where the chapters map to creatures of Egyptian mythology.
The puzzle/mystery story where each challenge maps to the twenty-two paths of the Kabbalah.
The romantic story where the character relationships map to the four parts of a day (night-morning-afternoon-evening).
The satirical post-apocalyptic story where the characters' deaths map to the twelve master grades (dan) of judo.
The satirical story about serfs where the characters map to the thirty-three degrees of Freemasonry.
The slice-of-life story where the character relationships map to the twelve months of a year.
The story about ambassadors where the chapters map to the four basic stages of matter (solid-liquid-gas-plasma).
The story about vampires where the characters map to the four suits of Tarot Cards (disks-cups-swords-rods).
The story where the continents map to the four classic Greek elements (fire-air-water-earth).
The story where the eras of history map to the six senses (sight-smell-sound-touch-taste-psychic).
The story where the kingdoms map to the Four Horsemen of the Apocalypse (war-famine-pestillence-death).
The story where the races map to the nine circles of heaven in the Divine Comedy: Paradiso.
The swashbuckling story about heroes where the characters map to the trinity of past-present-future.
The swashbuckling western story where the characters' deaths map to the three Sephiroth of the Supernal Triad (Kether-Chokmah-Binah).
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